Talk by Dr Kevin Killeen: The cusp of life and death: Sir Thomas Browne and the religion of a physician
A talk by Dr Kevin Killeen
6.30pm for 6.45pm start
The cusp of life and death: Sir Thomas Browne and the religion of a physician
Collector of curiosities, debunker of myths, inspiration to writers and doctors alike, coiner of words, owner of a live ostrich and expert witness at a witch trial. Sir Thomas Browne is probably the greatest British genius the vast majority of British people have never even heard of. He was also a renowned physician, wrote some of the most beautiful prose in English and has long figured in the history of medicine and the humanities. His most famous work, Religio Medici, 'the Religion of a Physician', deals with the relation between the body and soul, the cusp of life and death.
In his talk Dr Kevin Killeen will address Browne's intellectual world, his experiments and how he understood the mesh of science, humanities and the religious.
The talk will be approximately 45 minutes with time for questions and discussion afterwards, plus tea, coffee and biscuits (and maybe a little wine!)
Pay what you can on entry - suggested £3-£5. Proceeds to the Chapel
The Chapel is a lovely intimate venue in Park Lane Norwich, halfway down on the right handside from Unthank Road or on the left from Earlham Road. There is no parking at the Chapel apart from limited on street spaces, although the Black Horse pub on Earlham Road provides excellent food and drink and also has a car park! Buses run regularly along Unthank Road, and of course taxis are handy if you are too far to walk or cycle. The Chapel is a 5-10 minute walk from the city centre in the Golden Triangle area of Norwich
About Dr Kevin Killeen
Dr Kevin Killeen is a lecturer in the Department of English at the University of York. He is one of the editors of the Oxford Works of Sir Thomas Browne. He has written several books, on Browne, on seventeenth century politics and religion and on the history of science including a new edition of Sir Thomas Browne in paperback published earlier this year.
New Edition of Sir Thomas Browne
For many years now it has been difficult to find the writings of Thomas Browne, except in second hand shops. A new edition of Browne has recently come out in paperback from Oxford University Press, at a wholly affordable price. Thomas Browne, Selected Writings, edited by Kevin Killeen, contains all of Browne’s major writings, Religio Medici, Urn-Burial, and The Garden of Cyrus, and generous selections from Pseudodoxia Epidemica, as well as a selection of writings published after his death. The volume is part a new series, ‘21st Century Oxford Authors’, and is ‘lightly modernised’ – the original spelling is generally retained, but punctuation is clarified when necessary. It includes an introduction to Browne, explanatory notes and commentary at the end of the book.
Kevin Killeen is part of the team editing The Complete Works of Sir Thomas Browne, in 8 volumes, also from Oxford University Press, albeit in expensive format. He has written extensively on Browne, including the prize-winning Biblical Scholarship, Science and Politics in Early Modern Culture: Thomas Browne and The Thorny Place of Knowledge (2009).
The Chapel | 64 Park Lane | NR2 3EF Norwich | United Kingdom
Wednesday, 27 June 2018 from 18:30 to 21:30 (BST)
New Edition of Sir Thomas Browne by Kevin Killeen in paperback
For many years now it has been difficult to find the writings of Thomas Browne, except in second hand shops. A new edition of Browne has recently come out in paperback from Oxford University Press, at a wholly affordable price of £14.99. Thomas Browne, Selected Writings, edited by Kevin Killeen, contains all of Browne’s major writings, Religio Medici, Urn-Burial, and The Garden of Cyrus, and generous selections from Pseudodoxia Epidemica, as well as a selection of writings published after his death. The volume is part a new series, ‘21st Century Oxford Authors’, and is ‘lightly modernised’ – the original spelling is generally retained, but punctuation is clarified when necessary. It includes an introduction to Browne, explanatory notes and commentary at the end of the book.
Kevin Killeen is a lecturer in English Literature at the University of York, and is part of the team editing The Complete Works of Sir Thomas Browne, in 8 volumes, also from Oxford University Press, albeit in expensive format. He has written extensively on Browne, including the prize-winning Biblical Scholarship, Science and Politics in Early Modern Culture: Thomas Browne and The Thorny Place of Knowledge (2009).
Sir Thomas is the Johann Sebastian Bach of English prose. Like other major authors such as Jonathan Swift and Horace Walpole, he was an amateur who wrote to amuse himself.
Though Sir Thomas did not do a lot of writing, the stylistic range is impressive. It is no big deal for him to go from the organ tones of the closing section of the Urn Burial to the Pliny like compilations of the Pseudodoxia and the miscellaneous scientific treatises. Sir Thomas at times wrote in a lurid purple prose which has long since gone out of fashion though some later writers have been able to imitate and extend it, e g Thomas De Quincey in the three part account of his drug addiction and Melville in Moby Dick. Thomas Wolfe (1900-1938) has also written some tolerable purple prose in Look Homeward Angel (1929) and Of Time and the River (1935). In general, purple prose runs the risk of bombast and embarrassing pomposity.
The canon of Sir Thomas' writings can be best appreciated in the context of the seventeenth century which was the age of Baroque prose. The prose of the late sixteenth century e g Sidney's Arcadia and Lyly's Euphues, had been highly mannered and contorted. These writers as well as Shakespeare in the prose parts of the plays were influenced by the Italian, Spanish, and Dutch painters (including Michelangelo and El Greco) who thrived on the distortion of form whereas the early Baroque painters like Caravaggio and Rubens restored the integrity of form. The prose writers of the seventeenth century - Bacon, Burton, Taylor, Donne, Milton, Browne, the early Swift, Pascal, Descartes, Moliere - likewise aimed at three dimensional effects. They used the verbal equivalent of foreshortening and light and shadow.
Sir Thomas' work needs to be seen in the light of Baroque art-- like "Areopagita" and Paradise Lost, the plays of Corneille and Racine and the satires of Dryden.
Hugh Aldersey-Williams has shown how Sir Thomas was as much a believer in witchcraft as James I or the authors of the Malleus Malificarum-- or Montague Summers in the first half of the twentieth century! This is helpful and important, because it reminds us that an author's environment can be both formative and limiting.
Sent in by Steve Harvy
Extract from http://penelope.uchicago.edu/skullnotes.html
WE SAW on the Sir Thomas Browne's Skull page, we have pictures of a part of Sir Thomas Browne that he never saw himself. A series of communications in my favorite Notes and Queries addresses this question.
In NQ, 8th series, VI, July 28, 1894, 64-65, a "W.B. Gerish" of Great Yarmouth submits an article from the Yarmouth Mercury of December 23, 1893:
The Skull of Sir Thomas Browne. — "Considerable interest has been excited in Norwich by a dispute concerning the skull of Sir Thomas Browne, the writer of 'Religio Medici'. His body was interred in the chancel of St. Peter Mancroft Church, about a couple of centuries ago; and in 1840 some unknown person, in digging a vault, broke the lid of the coffin. His remains were examined by a local antiquary, who ordered the coffin and its contents to be re-interred. It appears, however, that the sexton took possession of the skull, which was purchased by a celebrated Norwich surgeon, and on his death was handed over to the Norfolk and Norwich Hospital Museum, where it now remains. Recently the attention of the Vicar of St. Peter Mancroft was called to the circumstances, and naturally regarding the removal as an act of desecration and dishonor, the Vestry requested the Hospital authorities to restore the skull of this illustrious man to its resting place. This application, however, has been refused; and at another vestry meeting it was agreed by eight votes to six, that no further steps should be taken. The vicar has expressed his intention of consulting Sir Walter Phillimore on the subject."(Sir Walter, a celebrated canon lawyer, was then Dean of Arches.)
In 8th ser. VI 233-234 (September 22, 1894), James Hooper of Norwich returned to the subject:
The Skull of Sir Thomas Browne— The leaden coffin of Sir Thomas Browne was found when workmen were digging the grave of Mrs. Bowman, wife of the then Vicar of St. Peter Mancroft, in August, 1840. The shield-shaped coffin-plate bore the following; --
" Amplissimus Vir Dns. Thomas Browne, Miles, Medicinæ, Dr. Annos Natus 77 Denatus 19 Die mensis Octobris, Anno. Dni. 1682, hoc Loculo indormiens. Corporis Spagyrici pulvere plumbum in aurum Convertit. "Mr. Fitch, a local antiquary, who was present when the coffin was found, wrote a description of the skull and hair to the Society of Antiquaries, and the communication is quoted in the Gentleman's Magazine for January, 1841.
It is said that the coffin-plate was placed in the parish chest; but it is not now to be found. Mr. Fitch directed the sexton to restore the remains to the grave; but the sexton removed the skull and a portion of the hair, which he sold to Dr. E. Lubbock, in whose collection they remained till his death in 1847, when they were handed over to the Museum of the Norfolk and Norwich Hospital, where they now are.
The present Vicar of St. Peter Mancroft, the Rev. Pelham Burn, was a member of Pembroke College, Oxford, Sir Thomas Browne's college, and was for a time on the Hospital Board of Management, but was moved to take action for the recovery of the skull by the remark of some gentleman in London on the matter. Mr. Pelham Burn naturally considers that the theft of the skull, &c., was a very gross act of sacrilege, and that the hospital authorities ought, as Christian men, to restore the remains for reburial; he also urged that the skull is an ordinary one, of no scientific interest. The doctors, however, have the skull, which was duly paid for, and refuse to part with it.
Whether Sir Thomas Browne would call the episode "a tragical abomination," or side with the fraternity of which he was a member, who shall say?
Charles Williams, also of Norwich, continues the theme (8th s., VI, 269-70, October , 1894):
In December, 1893, the vicar of St. Peter Mancroft, Norwich, was requested by the Vestry to write to the Board of Management of the Norfolk and Norwich Hospital and desire them to restore to the parish the skull of Sir Thomas Browne, in order that it might be reinterred in the chancel of that church as near as possible to the place in which it was originally laid. This request was occasioned by the fact that its removal from the coffin in 1840 was considered by the Vestry as a wanton act of sacrilege, and they thought every means should be attempted to undo so great a sin.
The Hospital Board, after a prolonged and careful consideration of all the circumstances which pertained to the request of the Vestry, in the end, by a unanimous vote, refused to relinquish the precious relic, and they urged, among others, the following reasons:— That as there is no legal title to, or property in, any such relic, so there can be no question that this and all other specimens in the Hospital Museum belong inalienably to the Governors. That no instance is known of such a claim for restitution having been made after nearly half a century on any museum, and were the Governors to yield to this request they might be unable to resist similar claims. That the presence in a museum of such a relic, reverently preserved and protected, cannot be viewed as merely an object of idle curiosity; rather it will usefully serve to direct attention to, and remind visitors of, the works of the great scholar and physician. At a subsequent meeting of the Vestry it was decided by a majority to take no further steps in the matter, and thus the subject was allowed to rest.
Whether the coffin was broken open accidentally or not in August, 1840, will never be known; certain it is that the workmen were making a grave for the wife of the then incumbent (Rev. John Bowman), when, it is asserted, they accidentally fractured with a blow of the pickaxe the lid of the coffin and thus exposed the skeleton. They then sent for a well-known antiquary, living near the church, and still living near the city, who generally displays a certain reticence when questioned on this particular subject. At any rate, the skull was abstracted by the sexton, one George Potter, by whom it was offered to the late Mr. G. W. W. Frith, one of the surgeons to the hospital. On his refusing to purchase it, the late Dr. Edward Lubbock became its possessor, and he, in 1845, deposited in the pathological museum of the hospital, in which place it has been carefully preserved to the present day. For obvious reasons no minute of the gift was entered in the hospital books, so that the exact date of its acceptance is unknown.
The coffin-plate of brass commemorative of Sir Thomas Browne measured 7 in. by 6 in., and was broken lengthwise into two nearly equal halves. It was in the form of an heraldic escutcheon, and bore the remarkable lines most probably written by his eldest son Edward, the physician to Charles II. and President of the College of Physicians. This is said to have been placed in the parish chest, but is not now to be found. A portion of his beard is to be seen in a glass vessel close to the skull.
Sir Thomas Browne died October 19, 1682, in his seventy-seventh year, on his birthday, as did two other illustrious men, Shakespeare and Raphael. [That is, they died on their birthdays, of course, not on Sir Thomas's (nor in 1682, for that matter, nor at 77).] [Rev. William] Stukeley tells us Sir Thomas Browne "dyed after eating too plentifully of a Venison Feast."
When Sir Thomas Browne's skeleton was exposed by the "accidental" opening of his coffin, it is stated on the authority of Mr. Fitch (Proccedings of the Archæological Institute, 1847) that the hair was seen to be "profuse and perfect, and of a fine auburn color." It is more than probable that this hair was not his own natural hair, but the remains of a wig. All the portraits of Sir Thomas Browne represent him as wearing one, and it was the fashion of that day to do so, and he would unquestionably be buried in it. It is difficult to believe that a man of seventy-seven, who must have suffered much anxiety and worry in an arduous practice of over forty years, and who had lost all his teeth, could have possessed a large amount of hair "of a fine auburn colour." It is much more likely to have been artificial. The alveolar ridges of his jaws are quite absorbed; the only socket remaining is one in the lower jaw.
Of the three portraits of this great man I will ask you to insert a note at a future time.
For more on the history, the present whereabouts, and pictures of casts of hte skull, and a bibliography, see The Royal Society of Medicine's Feature of the Month – September 2014.